Posts Tagged ‘Chicago’

Crisis Communications Tips For Booz Allen

Monday, June 10th, 2013

We imagine it was a busy weekend for James, Carrie and Marie. They are listed as media contacts for Booz Allen, a company with corporate headquarters in McLean, Virginia. What does the company do?

Under a “What We Do” tab on the company’s website, you can click on about 30 options. The company provides “management and technology consulting services to the US government in defense, intelligence, and civil markets, and to major corporations, institutions, and not-for profit organizations.”  It is a public company with about 25,000 employees and $5.86 billion in revenue in fiscal year 2012. And one of those employees is 29-year-old Edward Snowden, the man who, according to media reports, leaked the information that led to our national debate on government surveillance of the Internet and phone calls.

A company press release stated, “Booz Allen can confirm that Edward Snowden, 29, has been an employee of our firm for less than 3 months, assigned to a team in Hawaii. News reports that this individual has claimed to have leaked classified information are shocking, and if accurate, this action represents a grave violation of the code of conduct and core values of our firm. We will work closely with our clients and authorities in their investigation of this matter.”

Edwin G. Booz was an entrepreneur. In 1914, he graduated with a master’s degree from Northwestern University, where we graduated 80 years later. After graduation, he started The Business Research Service, a consulting firm headquartered in Chicago. His first major client was the Illinois State Railroad. According to the company’s website, in 1940 “Secretary of Navy Frank Knox asks firm to help prepare US Navy for war.” By 1947, company sales exceeded two million dollars.

So after writing a 75-word press release, now what? Our 11 recommendations for crisis communications:

  1. Devise a strategy to talk to the media beyond the initial press release. The company hopefully has already established strong relationships with journalists they trust and who they can now turn to discuss this issue.
  2. Talk to the media. The company’s media contacts page leads us to believe it has learned of ways to discuss sensitive topics publicly without violating confidentiality.
  3. Ensure none of its representatives intentionally or unintentionally mislead the media when under increasing pressure to quickly answer questions or provide details. Be as transparent as possible.
  4. Ensure those assigned to speak to the media sound genuine and not robotic.
  5. Share its story without allowing the media to simply characterize it as a behemoth company that makes tons of money. The company obviously identifies with its story and appreciates its history. The website includes a timeline outlining its history decade by decade.
  6. Avoid using lingo and speak in everyday language when it talks to the media.
  7. Focus on three key messages, repeat them and don’t delve into unnecessary details that will dilute their key messages.
  8. Brace for tough questions, practice for the worst and be ready to take the high road with their answers without getting angry.
  9. Identify several phrases it should use instead of “no comment” when facing questions it cannot answer.
  10. Talk with employees, help them understand what happened and share key messages with them.
  11. Don’t leave out social media. Within the first few hours of this news breaking, people are already hammering the company on its Facebook page. Someone needs to develop a strategy to respond to some of these comments.

We Loved Pat Riley Breaking Our Media Training Rules

Monday, April 1st, 2013

Media Training

The Chicago Bulls break the Miami Heat’s winning streak. LeBron James raises questions about how the Bulls played. The Boston Celtics’ President of Basketball Operations Danny Ainge criticizes LeBron for his comments. Heat President Pat Riley then issues the following statement:

“Danny Ainge needs to shut the f— up and manage his own team. He was the biggest whiner going when he was playing and I know that because I coached against him.”

I’m not checking my notes, but that statement likely breaks several rules we teach during media training. However, it is possible we’ve never told someone to specifically not include the word “f—“ in a sound bite. That was an oversight.

Despite conventional wisdom, I liked what Riley said. I actually loved it. First, I’m a Heat fan, so I’ve spent several days receiving texts from a Bulls fan telling me everything wrong with the Heat. I never responded by saying, “Shut the f— up.” But I reminded him he sounded like a jilted boyfriend or girlfriend and that he roots for a baseball team which hasn’t won the World Series since 1908.

Second, I liked what Riley said because it blows back with such harshness the rules of corporate speak. Long ago, I tired of the B.S. language some corner office executives employ when speaking to their underlings. I learned when some managers complimented me, their strategy was simply to soften me up for a request they figured I wouldn’t like. Managers often meant to say, “Shut the f— up,” but they used carefully chosen language that anyone could easily misinterpret as, “Those are very pretty flowers on your dress.”

Few people say what they mean. And we certainly can’t start teaching executives, when confronted by a hard-charging reporter, to respond with, “Shut the f— up you whiny member of the media.”

But in a world in which people are so scared to say “no” that they instead tell us they’ll keep our information on file, I appreciate when someone, every once in a while, breaks the rules in such a blatant way. It sometimes just feels so good to hear. You feel like you are dancing, exhaling freedom, like Steve Carell at the end of “The 40 Year-Old Virgin.”

Don’t like it. Then you can … I appreciate your opinion and respectfully disagree.

Video Production: Has This Happened To You On A Street Corner?

Wednesday, October 10th, 2012

Video Production:  Has This Happened To You On A Street Corner?Shooting indoors sometimes has its advantages.

After shooting video inside, I walked down the street to frame up a building on a corner. The camera almost always attracts attention. Two men walked up to me. One asked me to put them on camera.

As a TV reporter, I was accustomed to strangers walking up and asking, half jokingly, to put them on camera. They often had no good reason to appear on camera, but they wanted to be on TV. In college, I was shooting exteriors of a Chicago high school. Students leaving school saw the camera and went bonkers, actually falling over each other trying to compete for position in front of the lens. I turned off the camera, but the students still acted as if I were broadcasting a live shot to the rest of the world.

In North Carolina, I sat atop of a vehicle as part of a parade. Feeling embarrassed to wave to crowds like a beauty queen, I placed my camera on my shoulder and pretended to shoot video of crowds as I passed. I never turned on the camera, but people waved at me with great enthusiasm.

In this case on the street corner, I tried to explain I was shooting a business-type video and standing before my camera should not interest them. My logic did not appear to matter. They hovered, one of them asking me questions about the camera and telling me part of his story.

Video Production:  Has This Happened To You On A Street Corner?He then asked if he could rap for me and requested I provide him a topic. I learned long ago people want you, if nothing else, to respect them, so turning him down or brushing him off was not an option I considered.

I put in a request for him to rap about football. He asked what team. I said, “The Dolphins.” The other guy acknowledged the Dolphins had just visited to play the Cardinals. The rapper indicated the Dolphins are on the right track, leading me to believe he might be a fellow fan. But then he asked where the Dolphins play. Miami, I answered.

During this conversation, I continued shooting the building on the street corner. I wondered if these men expected me to turn the camera toward them for the football rap. I didn’t want to, but I would shoot video of their impromptu song if necessary.

But I took too long to shoot that building on the corner and the rapper indicated they needed to move on. We exchanged pleasantries and they crossed the street.

Shooting simple video of a building can get complicated especially when standing on a street corner with a camera.

Media Relations: Let’s Give Them An Exclusive To Talk About

Sunday, July 29th, 2012

Media Relations:  Let's Give Them An Exclusive To Talk About

I read the following Tweet posted by an NBC News political editor:

“Romney talks with NBC’s Brian Williams in exclusive interview”

The included link took me to the image you see. An NBC News reporter re-Tweeted it. Some journalists might complain politicians don’t take reporters’ questions frequently enough, but I wonder what would make a one-on-one interview with Romney or President Obama an exclusive in the true spirit of the word? I Tweeted to both people at NBC, asking what makes the Romney interview an exclusive. Neither person has responded. I asked for some other opinions.

“I don’t think a general run of the mill interview with any such public figure can be ‘exclusive,’” said a Michigan videographer with years of TV news experience. “The content however could be. Say NBC is getting Mitt to open up about his tax returns for the past 10 years and he is only talking to NBC about that. Then the content would be exclusive. A generic sit down interview is not exclusive especially when he is offering them up to everyone.”

A North Carolina videographer told me this about the Romney interview: “Unless he told the interviewer something about his taxes that he hasn’t told anyone else – then no.”

I haven’t heard new information about Romney and his tax returns. The NBC Tweet I saw about the exclusive interview focused on Romney’s comments on gun control. Since then, I read how some of Romney’s statements about the Olympics stirred up controversy.

The newsrooms I worked in rarely referred to their stories as “exclusives.” I think the stations would have used the term more often, but getting a truly exclusive story on an important issue isn’t easy for most journalists. And when the newsroom asked the graphics department for that slick exclusive banner to splash across the TV screen, I used to joke that we were reminding viewers that 99 percent of the time, we offered stories they could also find somewhere else.

“I think it’s a term that only means something to people in the business,” said a former TV news supervisor in Chicago. “Normal folks watching at home have no idea what it means or why it’s important. It means someone’s bragging they got something no one else got.”

Did NBC get something significant that no else got? The answer often isn’t easy to immediately figure out.

“I’m always very wary of using it because it’s hard to be sure that someone else wasn’t able to get the same interview after you,” a California TV reporter told me. “In general I find it’s an overused phrase used for shameless self promotion. I don’t generally use it unless specifically instructed to.”

The media’s job is to slice through the spin, not offer a different form of it. Save the exclusive label for an actual big scoop, an interview your competitors actually want but can’t get. You don’t outdo the competition by simply saying you did.

Media Relations: 12 News Interviews Our Client: See Steve Stand In The Newsroom

Monday, July 23rd, 2012

 

This is our client Steve.

He is standing in the newsroom while the anchor on a different floor conducts a live interview with him.

Many of my own live shots were in our newsroom. Co-workers sitting at their desks surround you while you’re on live TV. Some of them are watching you on monitors. (Co-workers particularly listened to me while I delivered a live shot on national TV from our newsroom.) But sometimes people surrounding you are not listening. But they are loud. Reporters and photographers are discussing the upcoming fantasy football draft and an assignment editor is shouting to a producer what he heard on a scanner. Newsroom live shots are so common, people often forget you are live. As an intern at the CBS station in Chicago, I watched a cleaning woman walk between the camera and the TV anchor who was live from the newsroom.

You should appear natural on live TV, but newsroom live shots are anything but natural. You typically can’t see the person interviewing you. And if you can see the interviewer and yourself on TV, that can be distracting. I’ve seen many newsroom guests spend too much of their interview looking off camera at themselves on a nearby TV. You wear an earpiece to hear the interviewer. The earpiece often doesn’t fit perfectly. Sitting next to someone during an interview or a discussion is obviously more comfortable.

Remember the 1999 Kevin Costner film “For The Love Of The Game”? He played a baseball pitcher who threw best when he tuned out the crowd. I tuned out the crowd, but I went live almost every day. Tuning out the crowd is not as easy when you deliver a newsroom live shot only once in a while.

Practice. Stand in a noisy place at work or at home, where the distractions are everywhere, and pretend to be doing a live shot. Turn on a nearby speakerphone and request someone in another room ask you questions. This is similar to why teams practice with fake crowd noise on loud speakers before playing on the road before rowdy fans.

Newsrooms can be rowdy, too.

Why The Media Gets Hot And Bothered Over Weather

Sunday, July 15th, 2012

Why The Media Gets Hot And Bothered Over Weather

When rain recently persuaded me to switch on my windshield wipers, I had forgotten how weather often impacted my life.

Reading this Tweet reminded me:  “Love that taking pictures of wet concrete constitutes news in Phoenix today.

Weather and I have often danced together in the rain, from the hurricanes I covered in North Carolina to standing in a strong Phoenix downpour because it made for a much better live shot.

Covering flooding several days straight in a small Arizona town showed my new co-workers when I started at a Phoenix television station the depth of my creativity for live shots and storytelling.

Weather persuaded me to perform an epic-long live shot as I walked from the very front to the very back of a mobile home, showing damage.

Weather led me, again in the cause for creativity, to walk across a bridge on live TV while traffic passed and snow fell.

Weather ruined a good pair of boots as I stood in knee-high water for a live shot from a flooded apartment parking lot.

After weeks of studying a political race and arriving at election headquarters, weather erased all, sent me to damage and landed me as the lead.

Weather, or a lack of it, led me to call a producer and explain the damage didn’t warrant a story. She ignored my advice and assigned me not one but two reports.

Potential weather sent me to the outskirts of town to cover two stories on snow that never arrived.

Weather that had passed led me to splash my foot in a puddle on TV, later forcing me to realize never again to deliver such a stupid live shot.

We can muddy the waters with philosophy, but broadcast media cover the weather first and foremost because it typically translates into top-notch ratings. The problem is too many TV stations don’t decipher between legitimate storms and a few swaying trees and often insist on drenching us with coverage no matter how many snowflakes settle on the ground. This is similar to the embarrassing relative who is loud and obnoxious no matter if he is in front of a few family members at home or whether he is in public where people stand and stare. He has no filter.

Kansas

“Weather is a huge part of news wherever you are located,” a Kansas photojournalist told me. “Tornadoes, heat, rain or lack of rain. To me, it’s the same by comparison. Yes, watched by viewers. Gets ratings for sure. They played the same piece on tornadoes four times here and when weather here happens, every reporter is on it.

Chicago

“Like the world is coming to an end,” said a former Chicago TV news supervisor when I asked him about coverage in his area.

California

“As for our weather coverage, we definitely focus on severe weather more than you might think for a place that gets a decent amount of rain,” said a former Phoenix reporter now in The Golden State. “But they don’t go nuts for a few drops like some folks at [my former station].

Michigan

I asked a Michigan photojournalist, “Do Michigan stations over cover the weather?” “Yes” is his final answer.

Washington

A former Phoenix reporter now further north told me, “Not quite as aggressive. But when it snows, we do go bat s—t crazy.”

Phoenix

“It’s about the same. [My station] is less obnoxious,” told me a Phoenix reporter who has worked at more than one station in the market.

TV stations cover so much weather, people often advise reporters not to include their awesome weather live shots on their resume tapes. Most reporters have an awesome weather live shot and it won’t usually help distinguish them from the other candidates for a job opening. (I included one anyway. It was really awesome!)

The morning that reminded me of all this, the FOX, NBC and CBS stations each led their noon newscasts with weather, when their live shots showed it was no longer raining.

FOX, my former station, called the morning’s rain a “quick and intense downpour.” Their coverage included a reporter’s live shot, video from a department of transportation camera, additional video of a freeway and a report from the weather forecaster.

The NBC station displayed toward the bottom of the screen a banner “Summer Storms” and checked in with its weather person.

The CBS station took us to a live reporter, where the reporter said there was still a “bit of overcast.” Their banner read “Valley Rain” and also took us to their weather forecaster.

The next time you search for an umbrella and worry how the rain impacts your hair and clothes, remember how rain and its cousins of precipitation make some people go “bat s—t crazy.”

Media Training: Be Prepared To Be Interrupted When Most Vulnerable

Wednesday, May 30th, 2012

Media Training:  Be Prepared To Be Interrupted When Most Vulnerable

During college I worked as an intern at the CBS station in Chicago. I once saw who I believe was a cleaning woman walk in front of anchor Bill Curtis while he delivered a live tease from the newsroom. Bill ad-libbed and worked the incident into his tease by joking viewers could see how everyone was working hard in the newsroom.

While I recently interviewed a former TV anchor via Skype, a man walked into his room and started emptying the trash. The former anchor worked in the man’s unexpected appearance into his explanation that people must know their audience before pitching stories to the media.

Once while I reported live on breaking news, a guy watching me in a nearby apartment ran down to the street, jumped between the camera and me, screamed at the top of his lungs and ran back home. I simply kept talking.

Another time, a homeowner apparently unhappy I was reporting in his neighborhood set off his car alarm during both my live intro and live tag. I pretended I didn’t hear the alarm.

Before playing on the road, some football teams pump loud noise toward the practice field to simulate a visiting crowd. Approach media training in a similar way. If you plan to give interviews in a loud environment where intrigued co-workers might awkwardly stare at you or make hand gestures to slip you up, don’t conduct media training in a faraway, quiet conference room. If you might talk to the media under a blaring sun causing a stream of sweat to drench your eyebrows, don’t enjoy media training in a 72-degree oasis. If you plan a visit to a bustling TV studio or a sidewalk where a crowd will be hollering at your comments or whistling at the reporter’s perfect body, recruit some office clowns as stand-ins and practice.

It’s easier to throw a perfect spiral when tens of thousands of fans aren’t yelling profanities at you. It’s also easier to deliver the perfect interview when you and the interviewer are standing on an isolated island of serenity. But interviews often offer something unexpected. Prepare in real world scenarios to ensure you don’t pop up as the next goof up on YouTube. If you really drop the ball, don’t worry. I will use you as an example during my next media training session.

Some journalists are superheroes

Tuesday, April 3rd, 2012

 

I wore the hat you see in the picture during the Arizona summer of my last year as a TV reporter. While other broadcast journalists found ways to remain fashionable behind the scenes in 115 degrees, I figured all that mattered is I cleared my face of sweat and redness before going on air. The hat combined with slacks and a dress shirt likely looked ridiculous. But some people labeled me with a nickname playing off Indiana Jones. The name did not offend me. It made the newsroom laugh. The nickname was in good fun and the hat was the closest I came to dressing as a hero while working as a journalist.

Last night I watched the movie The Green Hornet, a character I was mostly unfamiliar with before seeing the film. The Green Hornet is the son of a newspaper publisher. The next day, while Loren and I analyzed the realism of this fine film, something struck me: The Green Hornet is the son of a newspaper publisher. Superman is a newspaper reporter. Spider-Man is a newspaper photographer. Is this simply a coincidence?

I’ve heard references to reporters who can fly, but that was flying in the form of a vulture. No one ever called me a superhero. Have I not considered the connection between the media and super masked men? A former Chicago newsroom assignment editor explained to me the connection with super characters is not a coincidence. He boasts a big comic book collection and describes himself as a big time Superman geek.

“Because how better to know where crime and criminals are then to be working for the place that reports in that stuff,” he texted me. “All great superheroes either work for a media outlet or they’re filthy rich billionaires. See Batman, Green Arrow or Iron Man.”

I’m not clear if some superheroes are actually passionate about journalism or simply see it as a convenient career to gather the latest crime reports.

“My guess would be the latter,” texted the former Windy City newsman.

In today’s world, superheroes wouldn’t need to report the news. Technology makes the news so accessible, you would only need a super smartphone with a few, strategic apps. And the last thing today’s TV newsrooms need is a bunch of egomaniacs wearing capes and masks. Plus many TV journalists would purposely let their secret slip out on Twitter. But I wouldn’t have minded a co-worker with some super powers for all those days I worked my cape off and watched it all disappear due to a broken down live truck. My Indiana hat never helped with that.